In this studio vlog, I am switching it up between shaping wax sculptures and working on large oil paintings. I made a huge patch of yellow oil paint, and you can see me using it on several canvases. I often paint on several canvases at the same time.
Yellow is one of the first colours of spring. The plants outside have entered the paintings with a green abstract usurper entering the fray. But mostly, it’s about painting, sculpture and documenting the process of making art in an artist studio.
I like the studio DNA that entered the small canvases when wayward paint drips down on them from a large oil painting or when I used the accidental shapes created by raindrops randomly dripping on the wax.
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Routes are created by choices, taking you to known spaces or surprises. Paintings take many paths. When I start to work on a new canvas, I have no idea where it will go, literally and figuratively. So I take any chance to travel and bring my work with me in whatever form possible, like these paintings I started in Ireland and brought to Italy. I like the (long!) drive to Italy - it’s a great time for …
It’s always amazing to see my paintings out in the wild, especially when they have found such a beautiful home in New York. Perry Sayles designed this Chelsea apartment. His work was featured in the Wall Street Journal.
You can see images of the entire space and other projects by Perry Sayles here.
I found this image in a German art magazine and was captured by the movement in it. The narrative is about a saint on a journey. Sitting here in the studio, a year into the pandemic, I realise that the idea of travelling has become so alien to me. Ironic, considering that Christopher is the patron saint of travellers. I made a promise to myself to go and find this Patinir painting in the flesh when all this Covid is over. What’s happening in the painting is just as interesting. Patinir’s treatment of the …
I found this book 25 years ago on the floor of a train going from Dublin to Limerick. I love the cigarette burn and old ticket from London to Southampton used as a bookmark. The author was born in Paris in 1918 and was the youngest son of René Gimpel, the well-known art dealer from that time. He had an exciting life and having read his book, I get the feeling he would rather be in a car crash than share a meal with an artist. If he had …
The title „And All You Knew Changed Crazily“ seems so apt for the situation we all find ourselves in at the moment that I only wish I could apply this level of divination when I do my weekly lotto numbers. There are these pipe structures that have appeared in several of my recent paintings. The longer I looked at them the more I began to see them as some sort of map of life. A chance meeting or a quick decision might be the sharp turn that changes the course of a life dramatically. For better or worse. The title captured that idea perfectly and in doing so helped me become fully conscious of it. I don’t usually think too much about …
I don't think you could or should explain any piece of art entirely because it cuts it off from alternative interpretations. What I want to do here is talk about the things that happened around it, the things that pushed it into what it became. It was the largest oil on canvas I painted during my time in Berlin. The video was filmed in my Berlin…
This technophobe got an iPad Pro. I am still waiting for flying cars, but in the meantime I let my mind be blown by mixing “live paints” on this glowing glass thing. To be honest, I found it frustrating to get into it. The concept of layers is central to my painting process, but these digital layers feel so alien. I have spent so much time thinking about “layers” and “masks” recently that they have tweaked how I see paint. These small self-portraits are the first…
There is so much magic in this short video of Giacometti working in his famously dirty studio.
Most of the iconic photos I have seen of him have a greyness about them. He is like a mystical hairy creature living in a world of grey dust, smoke and raindrops. I saw…
A short video discussing the inspiration for "New Year's Eve Berlin (After Whistler)", one of the large oil paintings I have been working on during my time here in Berlin.
Got up early, met some cool trees and my favourite unicorn on a toilet door. Passed two floating boxes and some exploding buildings. Bumped into some geometric lines that were hanging out with cool greys and greens. Stumbled on a place that was delicate since the 1800s. Saw a human who has seen many things. Cracked open a …
Forms float in and out of my mind. I see a shape and then draw it, but nothing else might evolve from it. This is the first ever Mechanical Pollen sketch. It's tiny and filthy and probably close to ten years old. It’s been on the fridge door, the floor of the studio, just hanging around. I kept drawing others, and the…
I have no idea what the green shape is or where it came from, but there is a real calmness to it as it watches over the other shapes play. Many of these shapes start as drawings and eventually jump into the oil paintings. I remember that red line shell-like shape in the left-hand corner from a drawing I did on one of the silkscreens from Berlin. The dark sculpture shape in the top right-hand corner was in a series of ink drawings that I later tore up. It conjures up a ceramic, almost …